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New CDN guests: Kate McDowell and Ben Grosser

Two University of Illinois Urbana-Champaign faculty are guest researchers at the Center for Digital Narrative.

Kate McDowell and Ben Grosser
Photo:
UoI U-C

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Kate McDowell

Associate Professor of Information Science, University of Illinois Urbana-Champaign

Kate McDowell regularly teaches both storytelling and data storytelling courses. She researches and publishes in the areas of storytelling as information research, social justice storytelling, and what library storytelling can teach the information sciences about data storytelling. Her projects engage contexts such as libraries, non-profit fundraising, health misinformation, social justice in libraries, and others. Dr. McDowell has worked with regional, national, and international nonprofits including the Pan-American Health Organization (PAHO, part of WHO) and the Public Library Association (PLA). Her nationally-funded project Data Storytelling Toolkit for Librarians with co-PI Dr. Matthew Turk is under development. Her storytelling research has involved training collaborations with advancement with both the University of Illinois at Urbana Champaign and the University of Illinois system (Chicago, Springfield), storytelling consulting work for multiple nonprofits including the 50th anniversary of the statewide Prairie Rivers Network that protects Illinois water, and storytelling workshops for the Consortium of Academic and Research Libraries in Illinois (CARLI). She formerly served as interim associate dean for Academic Affairs and assistant dean for Student Affairs and has led multiple transformative projects for the School.

Ben Grosser

Professor of New Media, University of Illinois Urbana-Champaign

Ben Grosser creates interactive experiences, machines, and systems that examine the cultural, social, and political effects of software. Recent exhibitions include Centre Pompidou in Paris, The Barbican Centre and Somerset House in London, Hebbel am Ufer in Berlin, SXSW in Austin, and the Japan Media Arts Festival in Tokyo. His projects have been featured in The New York Times, The New Yorker, Wired, The Atlantic, The Washington Post, Le Monde, Der Spiegel, El País, and Folha. The Guardian (UK) proclaimed Grosser’s film ORDER OF MAGNITUDE to be a definitive artwork of the 21st century, “a mesmerising monologue, the story of our times.” RTÉ (Ireland) dubbed him an “antipreneur,” and Slate commended his work as “creative civil disobedience in the digital age.” His artworks are regularly cited in books investigating the cultural effects of technology, including The Age of Surveillance Capitalism, The Metainterface, and Investigative Aesthetics, as well as volumes centered on computational art practices such as Electronic Literature, The New Aesthetic and Art, and Digital Art. Grosser is Professor of New Media in the School of Art & Design, co-founder of the Critical Technology Studies Lab at NCSA, and an affiliate faculty member with the Unit for Criticism and Interpretive Theory and the School of Information Sciences. He was a recent Fellow and is now a Faculty Associate at the Berkman Klein Center for Internet and Society at Harvard University.