Publikasjoner
Les nyere publikasjoner fra utvalgte medlemmer av Film, Fjernsyn og Visuell Kultur
Hovedinnhold
Asbjørn Grønstad
«Nyliberal Ytringsfridom.» Kronikk, Klassekampen, 28.01.2023.
«White Material: Mcihael Haneke's Ethics of Violence,» in The Palgrave Handbook of Violence in Film and Media, ed. Steve Choe, Cham: Palgrave Macmillan, 2022.
«Microdystopias,» with Lene Johannessen, in Microdystopias: Aesthetics and Ideologies in a Broken Moment, ed. Asbjørn Grønstad & Lene Johannessen, Lanham: Rowman and Littlefield/Lexington, 2022.
«Nomadland, Neoliberalism and the Microdystopic,» in Microdystopias: Aesthetics and Ideologies in a Broken Moment, ed. Asbjørn Grønstad & Lene Johannessen, Lanham: Rowman & Littlefield/Lexington, 2022.
«Less than zero: McGurls tidsriktige reduksjonisme,» Norsk Litteraturvitenskapelig Tidsskrift, 25. 2 (2022): 130-133.
Rune Klevjer
(2022). What Is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games. Revised and Commented Edition.
(2021). Civilization IV i den videregående skolen: mellom fortrolighet og fremmedgjøring. Nordidactica.
(2019). Virtuality and depiction in video game representation. Games and Culture. 724-741.
(2019). Representação e Virtualidade em Videogames. Intexto. 36-49.
Erlend Lavik
2022: Fast bidragsyter for Rushprint: https://rushprint.no/author/erlend-lavik/
2022: "Towards a pragmatist aesthetics", i The British Journal of Aesthetics, vol. 62, nr. 3. https://academic.oup.com/bjaesthetics/article/62/3/453/6654294?login=true
2021: "Setting the Scene: The Opening 164 Seconds of The Wire", i [in]Transition, vol.8, nr. 3. https://mediacommons.org/intransition/setting-scene-opening-164-seconds-wire
2020: "Notes on the scholarliness of videography", i The Cine-Files, nr. 15. https://www.thecine-files.com/notes-on-the-scholarliness-of-videography/
Anders Lysne
Coming Out Differently: Making Queer Youth Known in Scandinavian Screen Fiction. I : Audiovisual content for children and adolescents in The Nordics - Production, distribution and reception in a multi-platform era, 2023 (Forthcoming)
Unfeeling the Future: Euphoria, Teen Angst and the Micro-dystopic. I: Microdystopias : Aesthetics and ideologies in a broken moment. Lexington Books 2022
Growing Up on Scandinavian Screens. I : The Oxford Handbook of Children's Film, Oxford University Press 2022
Begjærets assymmetri. Om sex og skeivhet i Fremmed ved sjøen. Z Filmtidssrift vol 128 (1), 2022
Manifestations of Dread in Thelma. Journal of Scandinavian Cinema vol 9.(2), 2019.
Øyvind Vågnes
Øyvind Vågnes, "The Electronic Superhighway Collapses: The Silences of Don DeLillo's The Silence," in Asbjørn Grønstad & Lene Johannesen, eds., Microdystopias : Aesthetics and ideologies in a broken moment. Rowman & Littlefield, 2022.
Asbjørn Grønstad & Øyvind Vågnes, "‘Everything Was Stories’: The Aesthetic Imaginaries of Searching for the Wrong-Eyed Jesus," in Gunnar Iversen & Scott MacKenzie, eds., Mapping the Rockumentary: Images of Sound and Fury. Edinburgh University Press Books, 2021.
Øyvind Vågnes, "Images and Invisibility," in Kresimir Purgar, ed., The Palgrave Handbook of Image Studies. Palgrave Macmillan, 2021.
Øyvind Vågnes, "Teikneserieåret 2019," in Nora Simonhjell & Andreas Benedikt Jager, Norsk litterær årbok 2020. Samlaget, 2020.
Øyvind Vågnes, "For at det ikkje skal skje igjen: TV-dramaet 22. juli," in Anne Gjelsvik, ed., Bearbeidelser. 22. juli i ord og bilder. Universitetsforlaget, 2020.
Asbjørn Grønstad & Øyvind Vågnes, eds., Invisibility in Visual and Material Culture, Palgrave Macmillan 2019.